Freeway crack in the system documentary al jazeera
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Specifically, I argue that the creation of sonic collages-a term almost synonymous with Jean Bessette’s “audio collage” that I use to describe curated soundscapes composed of short audio samples-if thoroughly researched, can help public rhetoric scholars present versions of publics that are more nuanced and emotionally intelligent than written accounts alone.
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In the face of the problem of specificity, I suggest that the medium of sound, because it operates in a manner uniquely intimate and affective, can enable public rhetoric scholars to better represent the multifaceted relationships among actors that compose publics. The actors who compose a public are always shifting and, if scholars attend to nonhumans with any degree of specificity, are perhaps innumerable similarly, the rhetorical actions and associations connecting actors within a public are subtle and at times ineffable. The problem with such methodologies, however, is that the specificity they demand is difficult to enact. This approach invites scholars to consider publics in material, rather than formal, terms by suggesting that publics are not defined by a shared Platonic identity but rather are uniquely composed by a confluence of human and nonhuman actors interacting with one another.Ī new materialist comportment to publics that focuses on how embodied actors operate in the world rather than how scholars think they should invites the development of new methodologies for studying publics in their specific singularness, seeing them as materially composed by complex social meshworks of human and nonhuman actors whose embodied interactions shape their worlds. He asserts that instead of comparing actual publics to fictional, romantic, or nostalgic ideals, scholars should focus on understanding publics as they exist. Largely, Crick uses this un/real terminology to claim that each author finds existing publics deficient when compared to the ideal ways they believe publics should behave. Featuring exclusive interviews with Freeway Rick Ross, not to be confused with the rapper who took his name Pulitzer Prize winning journalist Gary Webb, his source Coral Baca, and wife Susan Webb former Los Angeles Deputy Sheriff Roberto Juarez drug trafficker Julio Zavala and many more.In a recent Rhetoric Society Quarterly review of four contemporary books on public rhetorics, Nathaniel Crick argues that each book’s author establishes a dichotomy between an ideal public they consider real and an actual public they consider unreal. At the center of it all is the rise, fall and redemption of Freeway Rick Ross, a street hustler who became the King of Crack, and journalist Gary Webb, who broke the story of the CIA’s complicity in the drug war. Untouchable, Brick City) exposes how the infiltration of crack cocaine destroyed inner-city neighborhoods across the country. This documentary by award-winning filmmaker Marc Levin (SLAM, Mr.
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